After three unsuccessful, post-millennial Mobb Deep albums, even the most hardcore fans were starting to wonder whether P’s partner should just go solo. Unsuccessful attempts to retaliate turned P’s rapping into a series of obsessed threats that made him look like a dwarf throwing punches at a giant who had become too big to even notice. Once considered in a handful of the top East Coast emcees, Prodigy saw his street cred virtually vanish when Jay-Z, the most powerful rapper on the planet, uncovered childhood pictures of him wearing flamboyant dance attire. Many dismissed this as a shameless attempt to stir up a controversy, but there was forbidding unaffectedness in Prodigy’s voice. In the verse - which ended up being censored on even the explicit version of the album - P talked about beating Jesus “like the movie ” for all of the pain he had suffered. His controversial verse on “Pearly Gates” was the first sign that the existentialism that had long been a signature theme in his music had bled into complete nihilism. The reinvented Prodigy first showed up on one of the key tracks from Mobb Deep’s maligned G-Unit debut Blood Money.
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